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Waltzed Wryter
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« on: February 19, 2010, 10:38:17 PM » |
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http://www.youtube.com/v/uM2ikhqMvRQ
The Scene>>
Orphan-raised surgeon Homer Wells (Maguire) decides to leave the orphanage to "see the world", much to the chagrin of the loving Dr. Wilbur Larch (Caine), Homer's caretaker/adoptive father. ----------------------------------------------------------------------------------------------------------------
Homer looks out the window at Wally again. His decision forms.
EXT. ORPHANAGE DRIVEWAY - DAY
Homer approaches the flashy car, where Wally is still pacing.
HOMER Has anyone offered you anything to eat?
WALLY Actually, someone did. I just didn't think I could eat anything.
An awkward silence, which Homer covers by examining the car.
HOMER (trying to sound casual) I wonder if you might give me a ride.
WALLY Sure! Be glad to! Uh... a ride where?
HOMER (unprepared) Where are you going?
WALLY We're heading back to Cape Kenneth.
Homer nods, but he has no idea where Cape Kenneth is.
HOMER Cape Kenneth...
Wally nods.
HOMER That sounds fine.
INT. STAIRWAY/CORRIDOR - DAY
Homer runs up the stairs, two steps at a time; he races into a corridor at full speed, exhilarated. Suddenly Dr. Larch appears in front of him. Homer stops abruptly, out of breath, unable to speak.
INT. LARCH'S OFFICE - DAY
As Homer stands guiltily, Larch rifles through an X-ray file, holding various X rays up to the lit screen. He quickly finds the one he's looking for, attaching it briefly to the screen for a confirming look--a heart X ray, which Larch waves at Homer as he talks.
LARCH (sarcastic) Doubtless you'll let me know what immensely worthwhile or at least *useful* thing it is that you find to do.
HOMER (restrained) I wasn't intending to leave here in order to be entirely useless--I expect I'll find some ways to be of use.
LARCH In other parts of the world, I suppose there are other ways.
HOMER (still restrained) Of course.
LARCH (blows up) Are you really so *stupid* that you imagine you're going to find a more gratifying life? What you're going to find is people like the poor people who get left here--only nobody takes care of them as well! And you won't be able to take care of them, either. There's no taking care of *anybody*-- not out there!
HOMER (feeling trapped) You know I'm grateful for everything you've done for me...
LARCH (calmly) I don't need your gratitude.
Larch hands Homer the heart X ray.
HOMER (exasperated) I don't need this--I know all about my condition.
LARCH It's your heart--you ought to take it with you.
Camera closes on Homer with the X ray.
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« Last Edit: March 10, 2010, 02:10:59 AM by WaltzyWryter »
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Waltzed Wryter
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« Reply #1 on: March 10, 2010, 12:43:38 AM » |
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http://www.youtube.com/v/pcL_qKTyZcU
The Scene>>
Its finally time for an age-wise Bill Parrish to leave behind his remarkably loving life and go with a human experience-altering Joe Black (Death) at the end of the film. --------------------------------------------------------------------------------------------------------------
On a distant fringe of the party, a grass terrace that still commands a view of the dance floor, is Joe. His eyes are on Parrish and Susan, he watches them admiringly yet ruefully. A Waiter passes, catches sight of Joe, stops.
WAITER Can I get you anything, sir?
Joe regards the Waiter for a moment.
JOE Do you have any peanut butter?
The Waiter hesitates.
WAITER I don't think so, sir.
JOE Thank you, anyway.
The Waiter moves off. Joe's attention returns to Parrish and Susan, the dance number ends, a BOOM.
ANOTHER ANGLE
On the dance floor.
PARRISH What was that?
SUSAN The fireworks are about to start.
Parrish looks up, sees Joe up on the terrace, waiting.
SUSAN (cont'd) (to Parrish) Shall we?
PARRISH You go ahead, honey, I'm going to catch my breath.
Suddenly he hugs her, holds her very close. She looks at him, he smiles, nods, but doesn't release her until she smiles back. Now she heads out with the crowd for the fireworks. When Parrish senses she is on her way, he turns and heads up towards Joe.
Joe rises to meet Parrish as he approaches.
JOE Happy Birthday, Bill.
PARRISH Thank you.
They watch the guests gathering to view the fireworks. Joe's gaze lingers.
PARRISH (cont'd) Did you say goodbye?
JOE Not exactly.
PARRISH I guess you have your reasons.
JOE Yes.
Silence.
PARRISH Now that we have a moment, would you mind if I expressed my gratitude for what you did for Susan?
Joe waits.
PARRISH (cont'd) I never heard her speak of any man as she spoke of you -- It was always what I wanted for her -- but what happens to her now?
JOE I wouldn't worry about it, Bill. These things have a way of working out.
Joe regards Parrish, waits until he has a sense that Parrish has accepted what Joe has said, then Joe continues:
JOE (cont'd) And would you mind if I expressed my gratitude...?
Parrish waits.
JOE (cont'd) For you. For the time you've given me. For the person you are.
A moment.
PARRISH Don't blow smoke up my ass, you'll ruin my autopsy.
Joe barely manages a smile, now looks back longingly at the crowd below, searching.
PARRISH (cont'd) It's hard to let go, isn't it?
JOE Yes.
PARRISH That's life. What can I tell you?
A silence, an understanding there is nothing more to say. Joe looks inquiringly at Parrish as if to say "Shall we?", Parrish nods and Joe turns with him. They set off now away from the party, up a meadow that leads to a hill overlooking the river.
ANOTHER ANGLE
Down below, the party guests' faces are lit by the initial fireworks display. Among them is Susan, but her interest isn't there. Not something pulls her attention, an over- powering feeling that compels her to turn and see, at a distance, Parrish and Joe walking away up the meadow. Some- thing about the sight saddens and at the same time frightens her, she turns back to the party, dazed, tracing on the fireworks.
ANOTHER ANGLE
Up the hill Parrish's step slows, Joe slowing with him.
PARRISH I'm getting a little dizzy, I can feel my heart pumping --
But Parrish doesn't wait for a response, just continues on up the meadow, towards the rise of the hill, Joe in step with him.
PARRISH (cont'd) Should I be afraid?
Joe stops, Parrish stops with him.
JOE Not a man like you.
Parrish smiles faintly, takes a deep breath, he strides out again, Joe right with him. In tandem they continue on and disappear over the crest of the hill. A barrage of fireworks lights up the sky.
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« Last Edit: March 10, 2010, 04:52:05 PM by WaltzyWryter »
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